Fusing Slump




Fusing Slump

Deliberations on Decorative Glass

The artistic decorative glass products are shaped of liquid glass. This liquidity allows an artist to create various, rich in shape products-real pieces of art. Glass can be called a medium for artists.

It is impossible to talk about decorative art glass without mentioning the Murano glassmaking history. Their tradition of precision in glassworks is maintained since the 13th century. Due to its uniqueness Murano glass is often referred to as “cristallo”.

There are two opinions on how Murano, the island in the Venetian Lagoon became a centre of glassmaking. It is being said that in 1291 the Venetian Republic, fearing that fire used by glassmakers might burn down Venice’s wood buildings, ordered its glass artists to move their foundries to Murano. This way the glassmakers became the noblest citizens of this island. Another, more frequently suggested opinion, is that the move was made to isolate the glassblowing masters and prevent them from sharing their knowledge with foreigners. Glass making became a trade exclusively for those born on the island of Murano, and whoever glassmaker left the Venetian State was condemned to death as a traitor.

In the 1400s, the Italian island of Murano became the centre of glass luxury. Many new glass making techniques were developed there and Murano played a main role in the export trade of dinnerware, glass vases, mirrors and other luxurious items. A distinguishing feature of glass pieces made by Venetians was their content and a technique of making. Local quartz pebbles were almost pure silica ground into clear sand and combined with soda ash obtained from the Levant.

The contemporary Venetian glass art flourished in the 50ths and 60ths of the 20th century. Murano is still a Mecca for artists and glass lovers. The Murano School remains one of the most important in the world, and the art of glassmaking, just like centuries ago is still handed down from father to son.

However, not only the Italians became famous of their glass making skills. It is worth to mention that the Czech Republic Region of Bohemia and Moravia is a significant source of European glass making traditions. From the earliest days, the Czechs were setting tone in European and world art of glass making.

The United States are famous for making artistic glass items as well. The American glassworks tradition comes from the colonial times, when green glass house ware was produced. Currently, there are a lot of individual artists, and the art in glass is practiced and taught in the universities.

Beginning in the 19th century, a variety of extravagant glass items, such as glass vases started to become an important part of the decorative art. Particularly significant impact on development of decorative glass had the Art Nouveau movement. The members produced coloured pieces, often in cameo glass (a form of glass art involving etching and carving through fused layers of differently coloured glass; the main characteristic are white figures carved on black background), as well as using the lustre technique.

With the 20th century came an era of revolutionary technology. Machines were developed which replaced traditional mouth blowing with a semi-automatic process, and transformed the craft into an industry. A new mould-etch process was invented which allowed to reduce manufacturing costs. This led to cheap glassware in the 1930s, later called “Depression glass”.

Classical man-made glassblowing maintaining the tradition and knowledge of ancient glassblowers became an art. Today’s glassblower still utilizes the basic blowpipe, but now they have a vast number of supplementary tools to aid in working the material.

Here are the most common techniques to produce glass art:

-          blowing: a glassblower works at a furnace full of molten glass using metal rods and hand tools to blow and shape almost any form of glass;

-          kiln-casting: can be done at the furnace at the torch or in a kiln; generally the artist makes a mould out of refractory, sand, or plaster and silica which can be filled with either clear glass or coloured or patterned glass;

-          fusing, slumping: usually glass is only heated enough to impress a shape or a texture onto the piece, or to stick several pieces of glass together without glue;

-          flame working: the artist generally works at a bench using rods and tubes of glass, shaping with hand tools to create their work;

-          hot sculpting;

-          cold-working;

The most common glass objects include vessels such as bowls, glass vases, bottles, etc. as well as paperweights, beads, sculptures and installation art.They are great as home accessories or gifts.

 

About the Author

Justyna Bialas is a Co-Founder and Co-Owner of Glamorous Glass, an online store offering European glass products such as glass vases, table centerpieces, bowls, plates, and more. Visit us today and find unique pieces of home decor or exceptional gifts for every occasion.

Fusing and Slumping Glass


Nice 8.75 Dinner Plate Slump Fusing Glass Mold Kiln


Nice 8.75 Dinner Plate Slump Fusing Glass Mold Kiln


$8.95


Nice bisque dinner plate has smooth surface and is ready for your glass fusing-slumping or other similar great creations.
Great for ceramic painting, just paint as you wish.

Molds can be used over and over again for cool ideas.
plate is 8.75″ diameter

Be sure to coat with heavy kiln wash before use,
or use kiln paper which works even better.
without the mess of mixing wash….

MOLD COMES WI…


Microkiln, Medium (Microwave Kiln)


Microkiln, Medium (Microwave Kiln)


$140.00



A Beginner's Guide to Kiln-Formed Glass: * Fused * Slumped * Cast


A Beginner’s Guide to Kiln-Formed Glass: * Fused * Slumped * Cast


$14.16


Kiln forming glass—melting cut or crushed glass together in a kiln until it becomes a single piece and shaping the glass with molds—has quickly become one of the most popular subjects in studio glasswork. This comprehensive introduction features projects both beautiful and practical that are sure to appeal to all beginning glassworkers. It covers all of the fundamentals, such as fusing, …

Kiln-Formed Glass: Over 25 Projects for Fused and Slumped Designs


Kiln-Formed Glass: Over 25 Projects for Fused and Slumped Designs


$15.00


This enticing new book brings the magical qualities of luminous, color-rich glass to a wider audience. In step-by-step detail, Gillian Hulse demonstrates how to layer and combine clear, dichroic, and textured fusing glass with inclusions such as bubble powder to create gorgeous flat and three-dimensional pieces.Designs such as a dragonfly panel and passionflower coasters take their inspiration fro…

Fused Glass Handbook


Fused Glass Handbook


$24.95


Referred to in the art glass industry as the ‘Fusers Bible’ the “Fused Glass Handbook” is a complete, easy to follow, step by step manual for anyone wanting to fuse or slump glass in a kiln. The 25 projects each teach a different aspect of kiln working glass to create stunning tiles, jewelry, bowls and sculptures. Some of the subjects covered are special tools, setting up a kiln, safety, compatibl…


Post a Comment

Your email is never published nor shared. Required fields are marked *

*
*